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Cries in the Night, more popularly released as Funeral Home, [3] is a 1980 Canadian slasher film directed by William Fruet and starring Lesleh Donaldson, Kay Hawtrey, Jack Van Evera, Alf Humphreys, and Harvey Atkin. The plot follows a teenager spending the summer at her grandmother's inn—formerly a funeral home—where guests begin to disappear.
Rod Filbrandt is a Vancouver-based cartoonist, illustrator, and writer. [1] [2] [3] [4] [5] [6] [7] [8] He was one of the writers of the animated television series ...
Critical reception for The Funeral Home has been positive and the film holds a rating of 80% on Rotten Tomatoes, based on 15 reviews. [3] [4] Rue Morgue and Starburst both rated the film favorably, with the latter writing that "Although it gets a little too over-the-top - but fortunately not too much - in the final act, there's plenty to ...
Rival funeral directors. The first set of rival funeral directors in the town are the Bennet brothers (played by James Duke and David Sibley), a set of once conjoined siamese twins who were "joined at the satchels". They are the joint father of their daughter, Sian played by Wendy Wason who becomes a love interest to both Arwell and Percy in ...
Have a Good Funeral, My Friend... Sartana Will Pay ( Italian : Buon funerale amigos!... paga Sartana ) is a 1970 Spaghetti Western film directed by Giuliano Carnimeo , written by Roberto Gianviti and starring Gianni Garko as Sartana .
Family Plots is an American reality series that followed the events and employees at the family-run Poway Bernardo Mortuary in Poway, California. [2] It ran for two years, beginning in 2004, on the A&E Network .
A Madea Family Funeral is a 2019 American comedy film written, directed, and produced by Tyler Perry. It is the eleventh installment of the Madea cinematic universe, and stars Perry in several roles, including as the titular character, as well as Cassi Davis and Patrice Lovely. The plot follows Madea and her friends as they must set up an ...
The film received an 88% "fresh" rating on Rotten Tomatoes. [5] John Anderson of Variety said the film was "like a John Hughes comedy with nicotine stains." He went on to say " it could become one of those films by which an age group defines itself."