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The score was not published until 1867, forty years after the composer's death in 1827. The discoverer of the piece, Ludwig Nohl, affirmed that the original autograph manuscript, now lost, had the title: "Für Elise am 27 April [1810] zur Erinnerung von L. v. Bthvn" ("For Elise on April 27 in memory by L. v. Bthvn"). [4]
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Usage on arz.wikipedia.org فور اليسيه; Usage on ca.wikipedia.org Per a Elisa; Usage on de.wikipedia.org Wikipedia:Redaktion Bilder/Archiv/2012/4; Usage on el.wikipedia.org Μπαγκατέλα; Usage on eo.wikipedia.org Por Elise; Usage on eu.wikipedia.org Für Elise; Usage on hy.wikipedia.org Էլիզեին; Usage on sv.wikipedia.org ...
To the same page name with diacritics: This is a redirect from a page name that does not have diacritical marks (accents, umlauts, etc.) to essentially the same page ...
Elise, the unidentified person to whom Beethoven dedicated Für Elise; Elise, a 1979 speculative fiction novel by Ken Grimwood; Élise ou la vraie vie (Elise, or the Real Life), a 1967 novel by the French writer Claire Etcherelli; Élise ou la vraie vie (Elise, or Real Life), a 1970 French drama film based on the novel of the same name
It had the inscription "Für Elise am 27 April zur Erinnerung von L. v. Bthvn" [For Elise on 27 April (1810) as memento by L. v. Bthvn]. Indeed, Anna Milder-Hauptmann named her "Elise" in a letter to her. [1] During the days before Beethoven's death, she and her husband Hummel visited Beethoven several times, and cut and saved a lock of his hair.
Psychedelic rock band Vanilla Fudge covered the piece (along with Fur Elise) that is part of "Phase Two" on their 1968 album, The Beat Goes On. In July 1975, Dmitri Shostakovich quoted the sonata's first movement in his Viola Sonata, op. 147, his last composition. The third movement, where the quotation takes fragmentary form, is actually ...
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