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A sticker in German warning that the reader is being "video monitored". Even just the presence of an eye symbol on a sticker can be enough to change a person's behavior. The watching-eye effect says that people behave more altruistically and exhibit less antisocial behavior in the presence of images that depict eyes, because these images insinuate that they are being watched.
The sense of depth may be enhanced by closing one eye, which removes the conflicting vergence visual cue of both eyes looking at the flat image plane. The apparent stereo effect results from syncing the timing of the wiggle and the amount of parallax to the processing done by the visual cortex.
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Anaglyph 3D is the stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different (usually chromatically opposite) colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye.
The Pulfrich effect is the effect that covering one eye with transparent but darkened glass can cause purely lateral motion to appear to have a depth component even though in reality it doesn't; even a completely flat scene such as one shown on a television screen can appear to exhibit some three-dimensional motion, but this is an illusion ...
When it was introduced in the French newspaper Le Figaro in June 1833, the term 'phénakisticope' was explained to be from the root Greek word φενακιστικός phenakistikos (or rather from φενακίζειν phenakizein), meaning "deceiving" or "cheating", [2] and ὄψ óps, meaning "eye" or "face", [3] so it was probably intended loosely as 'optical deception' or 'optical illusion'.
With intense lighting, the eye can constrict the pupil, yet allow enough light to reach the retina. The more the eye resembles a pinhole camera, the less it depends on focusing through the lens. [d] In other words, the degree of decoupling between focusing and convergence needed to visualize an autostereogram is reduced. This places less strain ...
Impressions of several natural phenomena and the principles of some optical toys have been attributed to persistence of vision. In 1768, Patrick D'Arcy recognised the effect in "the luminous ring that we see by turning a torch quickly, the fire wheels in the fireworks, the flattened spindle shape we see in a vibrating cord, the continuous circle we see in a cogwheel that turns with speed". [8]