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Hymn II for cello and double-bass (1974) Hymn III for cello, bassoon, harpsichord and bells or timpani (1974) Hymn IV for cello, bassoon, double-bass, harpsichord, harp, timpani and bells (1974–1979) Prelude in Memoriam Dmitri Shostakovich for 2 violins (1975) Cantus Perpetuus for keyboard instrument and percussion (1975) Piano Quintet (1972 ...
Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
This is a compilation of pieces for cello and pipe organ. See also the entries on cello and the List of compositions for cello and orchestra, List of compositions for cello and piano and List of solo cello pieces. Ordering is by surname of composer.
The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part. This version remains unpublished, but a manuscript in the composer's hand shows that he had completed an arrangement for string quartet , extracting Violin I, Violin II, and Cello parts from ...
1.9.9 Cello and piano. 1.9.10 Solo cello. ... Fancie, for unison voices and piano (1961) A Hymn of St Columba for chorus and organ ... Chamber/instrumental. Solo ...
It is scored for soprano and an instrumental ensemble matching Anton Webern's arrangement of Schoenberg's first Chamber Symphony, Op. 9: [9] flute (doubling piccolo), clarinet (doubling bass clarinet), violin, cello, piano and percussion. Settings of seven poems and an interlude form the cycle: