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The Bay is a 2012 American mockumentary horror film directed by Barry Levinson and written by Michael Wallach, based on an original story created by the duo. It stars Kether Donohue, Nansi Aluka, Christopher Denham, Frank Deal, and Kristen Connolly and premiered at the 2012 Toronto International Film Festival. It was released in theaters on ...
The Bay is American crime-drama series. The show streams on Tubi/Popstar! TV in the United States, 10 Play in Australia, SABC in South Africa and Planet TV in Europe.. Starring Kristos Andrews as the rugged and protective "golden boy" Pete Garrett, and Mary Beth Evans as his wealthy socialite matriarch, Sara Garrett, the series was created by Gregori J. Martin.
This list is sorted by the number of tickets sold nationwide, according to the filmindonesia.or.id. [1] However, the information on filmindonesia.or.id was accrued only from 2007, making some films that was released before 2007 are not included or do not have an accurate number of admissions.
Dark Flight (Thai: 407 เที่ยวบินผี) is a 2012 Thai horror film. The film was directed by Issara Nadee. The film was directed by Issara Nadee. It shows the journey of a passenger plane haunted by ghosts that gradually trick the passengers into going insane and killing each other.
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Premiered on Puchon International Fantastic Film Festival 2012 Misteri Cipularang: Dede Ferdinand: Amel Alvie, Beiby Margaretha, Fajar Rezky: Horror: Berlian Si Etty: Dimas Adi Pratama: Fitri Tropica, Yogi Finanda, Echie Dwi Asih, Denny Soemargo, Shalvynne Chang, Donna Harun: Comedy drama: Jeritan Danau Terlarang (Situ Gintung) Wishnu Kuncoro
In Indonesia, approximately 250,000 people watched the film in the first four days of release, and it was considered a great turnout for a country that only has about 660 theater screens nationwide. [40] As of 8 July 2012, the film has grossed $4,105,123 in North America. The film grossed approximately $9.3 million overseas outside of Indonesia ...
Lake Mungo is a 2008 Australian psychological horror film written and directed by Joel Anderson. Presented in the pseudo-documentary format with elements of found footage and docufiction, it is Anderson's only film.