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Louis Jacques Napoléon Bertrand, better known by his pen name Aloysius Bertrand (20 April 1807 — 29 April 1841), was a French Romantic poet, playwright and journalist. He is famous for having introduced prose poetry in French literature, [1] and is considered a forerunner of the Symbolist movement.
Le Roman de la Rose (The Romance of the Rose) is a medieval poem written in Old French and presented as an allegorical dream vision.As poetry, The Romance of the Rose is a notable instance of courtly literature, purporting to provide a "mirror of love" in which the whole art of romantic love is disclosed.
André Marie Chénier (French pronunciation: [ɑ̃dʁe maʁi ʃenje]; 30 October 1762 – 25 July 1794) was a French poet of Greek and Franco-Levantine [1] origin, associated with the events of the French Revolution, during which he was sentenced to death. His sensual, emotive poetry marks him as one of the precursors of the Romantic movement.
Later romantic painting retained the romantic content, but was generally more precise and realistic in style, adapting to the demands of the French Academy. Important figures in later French romantic painting included the Swiss-born Charles Gleyre (1806–1874), who specialized in mythological and orientalist scenes.
Baudelaire was born in Paris, France, on 9 April 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. [5] His father, Joseph-François Baudelaire (1759–1827), [6] a senior civil servant and amateur artist, who at 60, was 34 years older than Baudelaire's 26-year-old mother, Caroline (née Dufaÿs) (1794–1871); she was his second wife.
Jean Nicolas Arthur Rimbaud (UK: / ˈ r æ̃ b oʊ /, US: / r æ m ˈ b oʊ /; [3] [4] French: [ʒɑ̃ nikɔla aʁtyʁ ʁɛ̃bo] ⓘ; 20 October 1854 – 10 November 1891) was a French poet known for his transgressive and surreal themes and for his influence on modern literature and arts, prefiguring surrealism.
Epic poems in French (1 C, 26 P) H. Poetry by Michel Houellebecq (2 P) French humorous poems (1 C, 1 P) M. Poetry by Stéphane Mallarm ...
The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables [see "musique ...