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Contemporary chandeliers may assume a more minimalist design, and they may illuminate a room with direct light from the lamps or are equipped with translucent glass shades covering each lamp. Chandeliers produced nowadays can assume a wide variety of styles that span modernized and traditional designs or a combination of both.
Modern art reached its peak during the 1950s and '60s, which is why designers and decorators today may refer to modern design as being "mid-century". [44] Modern art does not refer to the era or age of design and is not the same as contemporary design, a term used by interior designers for a shifting group of recent styles and trends. [44]
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The V&A Rotunda Chandelier (often known as V&A Chandelier and originally called Ice Blue and Spring Green Chandelier) is a glass sculpture by Dale Chihuly. It hangs under the glass rotunda at the entrance to the Victoria and Albert Museum in South Kensington, London. Considered to be an artwork as much as a source of light, it was installed in ...
Hollyhock House's developer, Aline Barnsdall, was an oil heiress from Pennsylvania [17] [18] who had wanted to develop an arts and live-theater complex. [19] [20] In the early 1910s, Barnsdall traveled to Chicago to become a theatrical producer.
In addition, it did not offer gaudy entertainment or host private parties; the only visible symbol of luxury was the dining room's crystal chandelier, which the hotel had bought in the 1930s for $25. [133] The Algonquin's staff knew many of the guests by name, [133] [136] and its valet was friends with many of the hotel's theatrical guests. [133]