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In July 2006, the pieces titled "Aeroplane 1" (1983) and "A-U-T-O-matic",(1985), along with other paintings from their permanent collection were displayed in the Brooklyn Museum of Art in a featured exhibit titled "Graffiti."
The walled section of the Israeli West Bank barrier, known as the West Bank Wall, is 8 to 10 metres (26 to 33 ft) tall, providing artists a large, blank canvas. [5] The graffiti is on the Palestinian side of the wall and primarily expresses anti-wall sentiments.
RISK's work on canvas was featured in the benchmark 2011 "Art in the Streets" street art exhibition at the Museum of Contemporary Art, Los Angeles, curated by Jeffrey Deitch. [28] RISK was one of five Los Angeles graffiti artists included. [ 29 ]
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However, graffiti is to some people a form of art, but to some a form of vandalism. [30] And many graffitists choose to protect their identities and remain anonymous to hinder prosecution. With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose ...
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.