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Bagpipe making was once a craft that produced instruments in many distinctive, local and traditional styles. Today, the world's largest producer of the instrument is Pakistan, where the industry was worth $6.8 million in 2010. [20] [21] In the late 20th century, various models of electronic bagpipes were invented.
Brian Boru bagpipes, invented by Henry Starck, perhaps inspired by the Great Irish Warpipes, and based on great Highland bagpipe but with a keyed chanter to extend the range and add chromatic notes. Electronic bagpipes are electronic instruments with a touch-sensitive "chanter" which senses finger position and modifies its tone accordingly.
From the 14th century onwards, bagpipes start to appear in the historical records of European countries, however half the mentions come from England suggesting Bagpipes were more common in England. Bagpipes are mentioned in English literature as early as The Canterbury Tales by Geoffrey Chaucer , written between the 1380s and 1390s.
Traditional Swedish bagpipes, säckpipa, made by Leif Eriksson. Säckpipa: Also the Swedish word for "bagpipe" in general, the name is commonly used for the revived Swedish bagpipe, based on surviving säckpipor of the Dalarna region. It has a cylindrical bore and a single reed, and usually a single drone in the same pitch as the bottom note of ...
This bagpipe was commonly played in the Lowlands of Scotland, Northern England and Ireland from the mid-18th until the early 20th century. [7] It was a precursor of what are now known as uilleann pipes, and there were several well-known makers over a large geographic area, including London, Edinburgh, Aberdeen, Dublin, and Newcastle upon Tyne.
A bagpiper of the Hiiu island is known to have said that if his bagpipe (made of a seal's stomach) became wet, it sounded richer because the seal is a sea animal. The bags were also made of the stomach of an ox, cow, elk or dog, but sometimes they were sewn of the skin of a dog, cat, goat or seal (with the fur outward) or even of the skin of a ...
Several attempts were made to improve the pipes; the most successful was the London pipe maker Starck's "Brian Boru" bagpipe, with a keyed chanter that could play a full range of traditional music and a baritone drone, often held with the tenor and bass in a common stock. Such pipes are produced by few makers today and are played by only a ...
The Center-France bagpipes (called in French cornemuse du centre or musette du centre) are of many different types, some mouth blown, some bellows blown; some names for these instruments include chevrette (which means "little goat," referring to the use of a goatskin for its bag), chabrette, chabretta, chabreta, cabreta, bodega, and boha.