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The song's origins are uncertain; however, its nearest known relative is the English folk song "The Twelve Apostles." [2] Both songs are listed in the Roud Folk Song Index as #133. Parallel features in the two songs' cumulative structure and lyrics (cumulating to 12 loosely biblical references) make this connection apparent.
The song's origins and age are uncertain: however, a counting song with similar lyrics, but without the 'Green grow the rushes' chorus, was sung by English children in the first half of the 19th century. [2] [i] By 1868 several variant and somewhat garbled versions were being sung by street children as Christmas carols. [2]
"Los 12 Discípulos" (English: The 12 Disciples) or "Quítate Tu Pa' Ponerme Yo" (English: Move So I Can Come) is a song by Puerto Rican rapper Eddie Dee featuring various artists from his fifth studio album, 12 Discípulos (2004). It features eleven other reggaeton musicians, who were among the most requested in the genre at the time.
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The song detailed "the injustices that young Puerto Rican men suffered at the hands of the police." It was a commercial success, reaching number one in Puerto Rico. [2] The record won him the Puerto Rican Rap and Reggae Award for Best Lyrics of 1997. His two subsequent studio albums also enjoyed underground success.
The lyrics here feature a similar refrain of "Rise and Shine and Give God the Glory, Glory," which is used in the Arky camp song. Rise and Shine (And Give God Your Glory, Glory) also known as The Arky, Arky Song (Children of the Lord) is a humorous children's camp song about Noah's Ark.
He allegedly was given the nickname "Moon" because many of his songs had the word moon in the lyrics. [5] Martin died on May 11, 2020, of natural causes in Encino, California, at the age of 74. [1] [7] [8] On October 31, 2022, Midnight Moon, [9] a posthumous album, was released, only available on several music streaming services.
Its melody is searching, simple, major key, and has simple lyrics. [3] "Let us break bread together" follows in the tradition of most Black spirituals. Black spirituals were mostly composed by African slaves who had no training in western music. [2] The tune varied but became known widely after publication in The Second Book of Negro Spirituals ...