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Greek boys no longer left the confines of the community, but rather paired up with older men within the confines of the city. These men, like their earlier counterparts, played an educational and instructive role in the lives of their young companions; likewise, just as in earlier times, they shared a sexual relationship with their boys.
The age range when boys entered into such relationships was consonant with that of Greek girls given in marriage, often to adult husbands many years their senior. Boys, however, usually had to be courted and were free to choose their mate, while marriages for girls were arranged for economic and political advantage at the discretion of father ...
The students upon passing their education become initiated to be disciples. Pythagoras was much more intimate with the initiated and would speak to them in person. The specialty taught by Pythagoras was his theoretical teachings. In the society of Crotona, Pythagoras was known as the master of all science and brotherhood. [48]
The last Greek philosophers of the revived Neoplatonic Academy in the sixth century were drawn from various parts of the Hellenistic cultural world and suggest the broad syncretism of the common culture (see koine): Five of the seven Academy philosophers mentioned by Agathias were Syriac in their cultural origin: Hermias and Diogenes (both from ...
G. E. M. de Ste. Croix used the picture as the frontispiece for The Class Struggle in the Ancient Greek World. The Class Struggle in the Ancient Greek World from the Archaic Age to the Arab Conquests is a 1981 book by the British classical historian G. E. M. de Ste. Croix, a fellow of New College, Oxford.
A 19th-century artistic representation of Spartan boys exercising while young girls taunt them. The agoge (Ancient Greek: ἀγωγή, romanized: ágōgḗ in Attic Greek, or ἀγωγά, ágōgá in Doric Greek) was the training program pre-requisite for Spartiate (citizen) status. Spartiate-class boys entered it age seven, and aged out at 30.
The depiction of homosexuality in art saw a rise in the Late Middle Ages, beginning with the Renaissance of the twelfth century, when Latin and Greek influences were revitalized in Europe. Influenced by Roman depictions of homoerotic love , these "neo-Latin" poets portrayed male love in a positive light, while avoiding explicitly mentioning ...
The Romans did not share this view and considered the study of music as a path to moral corruption. [10] However, they did adopt one area of mousike: Greek literature. Athletics, to the Greeks, was the means to obtaining a healthy and beautiful body, which was an end in and of itself and further promoted their love of competition.