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Sylvia Plath (/ p l æ θ /; October 27, 1932 – February 11, 1963) was an American poet and author.She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963.
"Cherrylog Road" is a poem by James Dickey.Written in 1963, [1] this is one of his more well-known poems. It first appeared in the October 1963 edition of The New Yorker [1] but was also included in several collections of his poetry, including Helmets: Poems (1964), Poems, 1957–1967 (1967), [2] The Whole Motion (1992), and James Dickey: The Selected Poems (1998).
Self-pity is an emotion in which one feels self-centered sorrow and pity toward the self regarding one's own internal and external experiences of suffering. [1] Self-pity has also been defined as an emotion "directed towards others with the goal of attracting attention, empathy, or help" [1] [2]
Diane Wood Middlebrook argued that 'Sylvia's Death’ has a “rivalrous attitude… a spurious tone, saturated with self-pity posing as guilt”. [1] Through an ending depiction of Plath as a "funny duchess!", [3] Sexton pays homage to the influence the two poets had on one another, alluding to a line within Plath's poem "The Beast". [7]
Sonnet 1 is the first in a series of 154 sonnets written by William Shakespeare and published in 1609 by Thomas Thorpe. [2] Nineteenth-century critics thought Thorpe might have published the poems without Shakespeare's consent, but modern scholars don't agree and consider that Thorpe maintained a good reputation.
Pity is a sympathetic sorrow evoked by the suffering of others. The word is comparable to compassion, condolence, or empathy. It derives from the Latin pietas (etymon also of piety). Self-pity is pity directed towards oneself. Two different kinds of pity can be distinguished, "benevolent pity" and "contemptuous pity". [1]
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
Sappho 31 is a lyric poem by the Archaic Greek poet Sappho of the island of Lesbos. [a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line.