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It was the first publicly exhibited, life-size, American sculpture depicting a fully nude female figure. Powers originally modeled the work in clay, in Florence, Italy, completing it on March 12, 1843. [3] [4] The first marble version (prime version) of the sculpture was completed by Powers' studio in 1844 and is now in Raby Castle, England. [2]
Once the clay model was complete, Leigh selected Stratton Studio in Philadelphia as the fabrication site, in view of its experience and expertise in sculpting and casting large-scale bronze sculptures. Typically, for sculptures of this size, the studio uses a smaller maquette to be reproduced as a full-scale foam model from which the model is ...
Maquette for Antony Gormley's proposed 120 feet (37 m) tall Brick Man sculpture, at Leeds City Art Gallery.The work was never commissioned. [4]A maquette is used to visualize and test forms and ideas without incurring the expense and effort of producing a full-scale piece.
He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.
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Sculptors made considerable use of drawings, and then of small and sometimes full-size modelli or maquettes in clay, with an internal framework of iron rods where necessary. [21] But such models were rarely fired, and very few have survived. Leonardo da Vinci's project for the Sforza Horse is an example. [22]