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USS Enterprise (NCC-1701) is a Constitution-class starship in the Star Trek media franchise. It is the main setting of the original Star Trek television series (1966–69), and it is depicted in films , other television series, spin-off fiction , products, and fan-created media .
Five years prior to Rick Sternbach's version being published, Ed Whitefire, an artist and designer in the aerospace industry, [2] contacted Paramount Studios about preparing and publishing the blueprints for the Enterprise-D. [3] [4] He presented his idea to Star Trek Art Department staff member Andrew Probert and was given the go ahead to ...
USS Enterprise (NCC-1701-D), or Enterprise-D, to distinguish it as the fifth Federation vessel with the same name, is a starship in the Star Trek media franchise. Under the command of Captain Jean-Luc Picard, it is the main setting of Star Trek: The Next Generation (1987–1994) and the film Star Trek Generations (1994). It has also been ...
Throughout “Star Trek’s” long 56-year history, the Starship Enterprise has been designed, redesigned, reimagined, blown to smithereens and then reimagined again for the various TV ...
The 33-inch original model of the U.S.S. Enterprise from the 1960s TV series "Star Trek" resurfaced decades after it disappeared. But then an auction house gave it to the son of Gene Roddenberry ...
NX-01, main setting of Star Trek: Enterprise. Registry: Enterprise Class: NX Service: 2151–2161 (10 years) Captain: Jonathan Archer United Earth Starfleet's Enterprise is the main setting of Star Trek: Enterprise (2001–2005). Enterprise was the first Earth-built starship capable of reaching Warp 5. The ship was commanded by Captain Jonathan ...
USS Enterprise (NCC-1701-A), or Enterprise-A, to distinguish it from other vessels with the same name, is a fictional starship in the Star Trek media franchise. It made its debut in the final scenes of the 1986 film Star Trek IV: The Voyage Home.
In the mid-1980s, he designed the look of animated computer displays for the USS Enterprise-A bridge in Star Trek IV: The Voyage Home. [1] This led to a staff position on Star Trek: The Next Generation in 1987 as a scenic artist, adding detail to set designs and props.