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There are multiple versions of Rembrandt's Head of Christ which are in the possession internationally of cultural institutions and individuals. During the course of the 19th-century it was supposed that these similar heads were based on a "Jewish model" (leading some to suppose that Rembrandt himself was Jewish, since he lived in what was considered the Jewish quarter of Amsterdam).
Rembrandt created several similar heads in varying poses, possibly as devotional objects. Today about a dozen are known. This one came into the collection via the Isaac D. Fletcher bequest. This painting was documented by Hofstede de Groot in 1914, who wrote; "160. HEAD OF CHRIST. Bode 295; Dut. 78; Wb. 301; B.-HdG. 414. Long dark curls, a ...
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 40.
When conservators used X-rays to analyze Rembrandt’s 17th-century masterpiece “The Night Watch,” they discovered something unexpected under its surface: lead.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
Sallman’s charcoal sketch, which he later adapted into an oil painting of a light-haired, blue-eyed Jesus with Nordic features (Sallman was the son of Scandinavian immigrants) is a prime example ...