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There are multiple versions of Rembrandt's Head of Christ which are in the possession internationally of cultural institutions and individuals. During the course of the 19th-century it was supposed that these similar heads were based on a "Jewish model" (leading some to suppose that Rembrandt himself was Jewish, since he lived in what was considered the Jewish quarter of Amsterdam).
Rembrandt created several similar heads in varying poses, possibly as devotional objects. Today about a dozen are known. This one came into the collection via the Isaac D. Fletcher bequest. This painting was documented by Hofstede de Groot in 1914, who wrote; "160. HEAD OF CHRIST. Bode 295; Dut. 78; Wb. 301; B.-HdG. 414. Long dark curls, a ...
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 40.
His status rests on one remarkable painting, the “Head of Christ.” It’s been reproduced an estimated 500 million times in portraits that have adorned living rooms, Sunday schools, stamps and ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
Extensive tests revealed changes that Rembrandt had made to the painting. - Sotheby's. The monochromatic painting, which measures 9.6 x 7.3 inches, was purchased by an anonymous buyer for € ...
A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
"The person who bought the painting for $1.4 million already got a great bargain," Mark Winter, an authentication expert, tells the Times. "We don't discover new paintings by Rembrandt every day."