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However, samba's popularity had waned, so he again worked in several other jobs. In 1963, eager to bring the favelas' samba to a broader audience, Cartola — with Zica and Eugênio Agostine — opened the famous Zicartola bar and restaurant in downtown Rio de Janeiro; it became the most important samba establishment of that time, providing a ...
Pelo Telefone (English: On the Telephone) is a song attributed to the Brazilian guitarist and composer Donga and considered to be the first samba song to be recorded in Brazil, according to records at the National Library of Brazil, [3] [4] although earlier recordings exist, such as "Samba - Em Casa da Bahiana" (1913) [5] and "Urubu Malandro" (1914).
In the 1930s, 'samba-canção' was the denomination applied to some sentimental tunes written for musical reviews. They were not many. Some representative sambas-canções of this kind are: No rancho fundo (1931, lyrics and music by Ary Barroso and Lamartine Babo), Na batucada da vida (1934, Ary Barroso and Luiz Peixoto") and Serra da Boa ...
Música popular brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Popular Brazilian Music) or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock.
In the late 1940s, he was a member of the samba-canção movement largely founded by his sometime creative rival, composer Ary Barroso. Other prominent Brazilian musicians of the day covered several of his songs, including Dick Farney, who famously recorded Caymmi's "Marina" (1944) in 1947. [1]
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Rasteirinha (or Ragga funk) is a subgenre of funk carioca that takes large influence from samba and axé, and adopts Caribbean grooves derived from reggaeton and dancehall. Rasteirinha was born in the early 2010s in the favelas of Rio de Janeiro and quickly popularized by some of its early hits, like MC Delano's "Na Ponta Ela Fica" and MC ...