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Articles relating to anecdotes (stories with a point), the communication of abstract ideas about a person, place, or thing through the concrete details of a short narrative or characterization by delineating a specific quirk or trait.
Gradually, the term "anecdote" came to be applied [10] to any short tale used to emphasize or illustrate whatever point an author wished to make. In the context of Greek, Estonian, Lithuanian, Bulgarian and Russian humor, an anecdote refers to any short humorous story without the need of factual or biographical origins.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
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Fable – a short allegorical story. Facilitas – the improvising of effective oral or written language to suit any situation. Feminist rhetoric – rhetorical theory concerned with feminism and its critique of social structures. Figura etymologica – repetition of two etymologically related terms. Forensic rhetoric – speaking in a courtroom.
However, other forms of the fallacy exist. For instance, a person citing a myth or made-up story as evidence is engaging in proof by assertion. This is because, if the anecdote is fictional, it is not logically part of the argument. All that is left is the assertion that the argument is true, and it is thus the proof by assertion fallacy.
Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create a beautiful tapestry. [ 6 ] A scene top-heavy with action can feel unreal because it is likely that characters doing something—anything at all—would be talking during the activity.