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In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]
David is depicted giving a penitential psalm in this 1860 woodcut by Julius Schnorr von Karolsfeld. The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering).
Candy Cheng's art installation Confessions, which has been exhibited across America, Central and Eastern Europe, invited viewers and members of the public to write anonymous confessions onto a wooden board and hang their confession on the work itself, with emphasis on features typical to the confessional writing genre including the catharsis of ...
When faced with physical or emotional pain, Bible verses about healing provide strength, comfort, and encouragement. Read and share these 50 healing scriptures.
A 17th-century depiction of one of the 28 articles of the Augsburg Confession by Wenceslas Hollar, which divides repentance into two parts: "One is contrition, that is, terrors smiting the conscience through the knowledge of sin; the other is faith, which is born of the Gospel, or of absolution, and believes that for Christ's sake, sins are forgiven, comforts the conscience, and delivers it ...
Vicki Power also mentions that the film "reminds us of her ground-breaking Beijing speech of 20 years ago in which she exhorted the world's leaders to treat women's rights as human rights". She wrote in The Daily Telegraph that "the film is an admirable consciousness-raising exercise pointing out that violations against women in the 21st ...
Confessio Amantis ("The Lover's Confession") is a 33,000-line Middle English poem by John Gower, which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems. According to its prologue, it was composed at the request of Richard II.
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