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For, as stated in the Phaedo: "the philosopher more than other men frees the soul from association with the body as much as possible". Body and soul are separate, then. The philosopher frees himself from the body because the body is an impediment to the attainment of truth. [8] Of the senses' failings, Socrates says to Simmias in the Phaedo:
Phaedo of Elis (/ ˈ f iː d oʊ /; also, Phaedon; Ancient Greek: Φαίδων ὁ Ἠλεῖος, gen.: Φαίδωνος; fl. 4th century BCE ) was a Greek philosopher . A native of Elis , he was captured in war as a boy and sold into slavery.
The Phaedrus (/ ˈ f iː d r ə s /; Ancient Greek: Φαῖδρος, romanized: Phaidros), written by Plato, is a dialogue between Socrates and Phaedrus, an interlocutor in several dialogues.
Accordingly, the Phaedo presents a real challenge to commentators because Plato oscillates between different conceptions of the soul. In the cyclical and Form-of-life arguments, for instance, the soul is presented as something connected with life, where, in particular, in the final argument, this connection is spelled out concretely by means of ...
Plato's conception of Forms actually differs from dialogue to dialogue, and in certain respects it is never fully explained, so many aspects of the theory are open to interpretation. Forms are first introduced in the Phaedo , but in that dialogue the concept is simply referred to as something the participants are already familiar with, and the ...
The extant, primary sources about the history of the trial and execution of Socrates are: the Apology of Socrates to the Jury, by Xenophon, a historian and philosopher; and the tetralogy of Socratic dialogues – Euthyphro, the Socratic Apology, Crito, and Phaedo, by Plato, a philosopher who had been a student of Socrates.
Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance (2007), by Andrew David Irvine, is a contemporary play that portrays Socrates as philosopher and man, based upon The Clouds (423 BC), by Aristophanes, and three Socratic dialogues, by Plato, the Apology of Socrates (the ...
The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]