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In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale.
Architectural ornaments — decorative architectural elements The main article for this category is Ornament (architecture) . See also: Architectural sculpture , Classical orders , and classical architecture
An acroterion, acroterium, (pl. akroteria) [1] is an architectural ornament placed on a flat pedestal called the acroter or plinth, and mounted at the apex or corner of the pediment of a building in the classical style. [2] An acroterion placed at the outer angles of the pediment is an acroterion angularium (angulārium means ‘at the corners’).
In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy.
A design or figure commonly used in architectural ornaments and design patterns, including art nouveau. Syrian arch In American architecture, esp. Richardsonian Romanesque, an archway that begins at the ground, rather than being set upon a supporting pedestal. [C.f.
A medallion is a round or oval ornament [1] that frames a sculptural or pictorial decoration in any context, but typically a façade, an interior, a monument, or a piece of furniture or equipment. Ancient Roman round versions are called an imago clipeata, from the clipeus or Roman round shield.
In architecture, an antefix (from Latin antefigere 'to fasten before') is a vertical block which terminates and conceals the covering tiles of a tiled roof (see imbrex and tegula, monk and nun). It also serves to protect the join from the elements.
The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman architect Vitruvius through the study of classical buildings and structures.