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La Perla (1518-1520) by Raphael. La Perla (literally The Pearl) is a 1518-1520 oil on canvas painting by Raphael.It depicts the Madonna and Child with John the Baptist, Saint Anne and in the background Saint Joseph.
Oil on canvas 265 х 196 1513: [3] Madonna of Leo X [3] [4] Private collection, Zurich, Switzerland [3] Oil on canvas 119 x 82,5 [3] c. 1513: Madonna of the Candelabra: Walters Art Museum, Baltimore, United States: Oil on panel 65,7 х 64 1513–1514: Madonna with the Fish: Museo del Prado, Madrid, Spain: Oil on panel 215 x 158 1513–1514:
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola is an oil painting dated circa 1518 that was formerly believed to depict Giovanna d'Aragona.It has been variously ascribed to Raphael, Giulio Romano, or the school of Raphael; it is now usually taken to have been executed by Giulio Romano based on a sketch by Raphael and then altered by Raphael.
The Alba Madonna is a tondo (circular) oil on wood transferred to canvas painting by the Italian High Renaissance artist Raphael, created c. 1511, depicting Mary, Jesus, and John the Baptist [1] in a typical Italian countryside.
The Bridgewater Madonna (in Italian, Madonna Bridgeland) is a religious painting by Raphael, dated 1507. Originally on oil and wood, but later transferred to canvas, it measures 81 by 55 cm. The picture is part of the permanent collection of the Scottish National Gallery in Edinburgh, on loan from the Duke of Sutherland Collection. [1]
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
Raphael took the commission very seriously, over the course of two years working on and developing his design through two phases and numerous preparatory drawings. [ 6 ] This was the last of several major commissions by the young Raphael for Perugia, the home city of his master Perugino .
It's one of only two Raphael's paintings on canvas (it was considered before as originally painted on a wood panel, and later transferred to canvas [3]). Copies produced in the 17th century show Castiglione's hands in full, suggesting that the picture was subsequently cut by several inches at the bottom [ 3 ] (at a later date researchers ...
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