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oil on canvas 92 × 72 Musée du Louvre, Paris Belisarius Begging for Alms: 1784 oil on canvas 101 × 115 Musée du Louvre, Paris Oath of the Horatii: 1784–1785 oil on canvas 330 × 425 Louvre Museum, Paris The Death of Socrates: 1787 oil on canvas 130 × 196 Metropolitan Museum of Art, New York The Loves of Paris and Helen: 1788 oil on canvas
Giclée (/ ʒ iː ˈ k l eɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process ...
Canvas prints are used as final output for fine art pieces or for reproduction of other types of two dimensional art (drawings, paintings, photograph, etc.). Canvas prints are often used as a cheaper alternative to framed artwork as there is no glazing required and the stretcher is not usually visible, so the prints do not need to be varnished ...
With assistance from art experts and archivists in Britain, France and the Netherlands, the programme undertook an exhaustive investigation and analysis of the Tutt painting, and they were given special permission by the owners of Le Grand Teddy to view it, to examine it using infra-red and ultra-violet light, and to take minute samples of the ...
Imperial Fritillaries in a Copper Vase is an oil painting on canvas measuring 73.5 by 60.5 cm which was painted in Paris in 1887. [1] [2] It depicts a bouquet of golden imperial fritillaries in a copper vase, the shiny patina of which (surrounded by lavender highlights) "reflects the color of the flowers as the motted wall stands out with a combination of blue, green and yellow shades" with ...
Musée d'Orsay, Paris. The Apparition (French: L'Apparition) is a painting by French artist Gustave Moreau, painted between 1874 and 1876. It shows the biblical character of Salome dancing in front of Herod Antipas with a vision of John the Baptist's severed head.