Search results
Results From The WOW.Com Content Network
Western Attitudes Toward Death began as a series of lectures presented to Johns Hopkins University, which he gave for the express purpose of translation and publication. Because Ariès saw America as influential in changing the way the western world viewed death, he felt it was important to have his ideas circulating on both sides of the ...
In mainland China and Taiwan, Japan, and Korea, the number 4 is often associated with death because the sound of the Chinese, Japanese, and Korean words for four and death are similar (for example, the sound sì in Chinese is the Sino-Korean number 4 (四), whereas sǐ is the word for death (死), and in Japanese "shi" is the number 4, whereas ...
Of the 128 that responded, 92% answered No, reflecting the anti-Chinese sentiments of the time. LaPiere also mailed a survey to a comparison group of hotels and restaurants that had not been visited, and their responses were similar. [2] The study was foundational in establishing the gap between attitudes and behaviors. [3]
Studies have found that relatively cosmopolitan Chinese students in the U.S. who experience racial discrimination, which a narrative of foreign influence can help fuel, become more supportive of ...
The American Garden at the Thirteen Factories in Canton, 1844–45. According to John Pomfret: To America's founders, China was a source of inspiration. They saw it as a harmonious society with officials chosen on merit, where the arts and philosophy flourished, and the peasantry labored happily on the land.
The Chinese American community, he said, has become complacent about the tremendous progress that leaders have made in recent decades. “Decline is the natural course when a movement has been so ...
This suggests the death penalty in the United States is dying one generation at a time. Read more: Editorial: Of course the death penalty is racist. And it would be wrong even if it weren't
Created by Sax Rohmer and Earl Derr Biggers, respectively, in the early part of the 20th century, Dr. Fu Manchu is the embodiment of America's imagination of a threatening, mysterious East Asian while Charlie Chan is an apologetic, submissive Chinese-Hawaiian-American detective who represents America's archetypal "good" East Asian.