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Cameo of the Roman emperor Tiberius (r. 14–37 AD) wearing a laurel wreath (Kunsthistorisches Museum) The tyche of Constantinople, wearing a corona muralis, awards Porphyrius, in his quadriga, a laurel wreath in the Hippodrome, carved on a base for a commemorative statue of the charioteer in the Hippodrome itself (Istanbul Archaeology Museums)
The laurel wreath is a common motif in architecture, furniture, and textiles. [8] The laurel wreath is seen carved in the stone and decorative plaster works of Robert Adam, and in Federal, Regency, Directoire, and Beaux-Arts periods of architecture. In decorative arts, especially during the Empire period, the laurel wreath is seen woven in ...
A wreath worn for purpose of attire (in English, a "chaplet"; [1] Ancient Greek: στέφανος, romanized: stéfanos, Latin: corona), [2] is a headdress or headband made of leaves, grasses, flowers or branches. It is typically worn on celebrations, festive occasions and holy days, having a long history and association with ancient pageants ...
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl. The Crown of Immortality is a literary and religious metaphor traditionally represented in art first as a laurel wreath and later as a symbolic circle of stars (often a crown, tiara, halo or aureola).
The highest and rarest of all military decorations in the Roman Republic and early Roman Empire was the Grass Crown (Latin: corona graminea) . [8] It was presented only to a general, commander, or officer whose actions saved a legion or the entire army. Examples of this would be a general who broke the blockade around beleaguered Roman troops.
The mural crown became an ancient Roman military decoration. The corona muralis (Latin for "walled crown") was a golden crown, or a circle of gold intended to resemble a battlement, bestowed upon the soldier who first climbed the wall of a besieged city or fortress to successfully place the standard (flag) of the attacking army upon it.
Prior to this, Roman sovereigns wore the purple paludamentum, and sometimes a laurel wreath as emblems of their office. [8] Aurelian strengthened the position of Sol Invictus, whose corona radiata or "radiant crown" had become popular in depictions of emperors earlier in the 3rd century (Gordian III) with the development of the imperial cult,. [9]
Bronze monument to Francis II, the last Holy Roman emperor, wearing a corona triumphalis and toga. The honours included the right to wear triumphal dress in public: the corona triumphalis (a gold coronet fashioned in the shape of a laurel wreath with dangling gold ribbons); an ivory baton; the tunica palmata (a tunic embroidered with palm-leaves); and the toga picta ("painted toga"), a toga ...