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In Praise of Shadows (陰翳礼讃, In'ei Raisan) is a 1933 essay on Japanese aesthetics by the Japanese author Jun'ichirō Tanizaki. It was translated into English, in 1977, by the academic students of Japanese literature Thomas J. Harper and Edward Seidensticker. A new translation by Gregory Starr was published in 2017.
When the Japanese Language Falls: In the Age of English). [13] The book became what literary scholar and translator Jay Rubin has called "one of the most widely discussed non-fiction titles ever published". [6] Some reviewers, such as novelist and poet Natsuki Ikezawa, largely avoided stoking controversy over Mizumura's proposals.
The work combines Eiji Ōtsuka's concept of narrative consumption (Japanese: 物語消費, romanized: monogatari shōhi, lit. 'story consumption') with Azuma's derivative concept of database consumption, (Japanese: データベース消費, romanized: dētabēsu shōhi) whereby the consumers of media ingest and categorize certain elements of a narrative in parts in an "animalistic" nature ...
The first Japanese translation of the Kural text was made by Shuzo Matsunaga in 1981. [2] [3] [4] Work on the translation began in the 1970s when Matsunaga chanced upon a few translated lines from the original work. Through his pen-pal in India, he obtained guidance and a copy of an English translation of the work by George Uglow Pope. [5]
JHTI is an expanding online collection of historical texts. The original version of every paragraph is cross-linked with an English translation. The original words in Japanese and English translation are on the same screen. [4] There are seven categories of writings, [2] including
According to Lawrence Venuti, every translator should look at the translation process through the prism of culture which refracts the source language cultural norms and it is the translator’s task to convey them, preserving their meaning and their foreignness, to the target-language text. Every step in the translation process—from the ...
The Japanese Buddhist word uji (有時), usually translated into English as Being-Time, is a key metaphysical idea of the Sōtō Zen founder Dōgen (1200–1253). His 1240 essay titled Uji, which is included as a fascicle in the Shōbōgenzō ("Treasury of the True Dharma Eye") collection, gives several explanations of uji, beginning with, "The so-called "sometimes" (uji) means: time (ji ...
The rhetorical style started out as poetry. This later influenced pianwen and guwento and eventually created the baguwen aka the eight-legged essay. [1] In Korea, the form was called giseungjeongyeol (Hangul: 기승전결; Hanja: 起承轉結). In Japan, it was called kishōtengō (起承転合), from which the English word derives.