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The American D-22 and American D-33 microphones are dual-impedance, omnidirectional, dynamic microphones made by the American Microphone Company. They were used extensively in the broadcast industry in the 1950s because of their modern sleek looks and tapered waist design.
The dynamic microphone (also known as the moving-coil microphone) works via electromagnetic induction. They are robust, relatively inexpensive and resistant to moisture. This, coupled with their potentially high gain before feedback, makes them popular for on-stage use. Dynamic microphones use the same dynamic principle as in a loudspeaker ...
The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...
The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Pages in category "Dynamic microphones" The following 11 pages are in this ...
Shure SM7B microphone used in an interview with Marius Bear The Shure SM7 is a professional cardioid dynamic microphone , commonly used in broadcasting applications since 1973. Designed by Shure , it has been described as an "iconic" industry standard microphone for its focused, directional sound and its widespread adoption in radio, television ...
The "MD" stood for mikrofon dynamische (dynamic microphone). [1] At the end of the 1950s, Fritz Sennheiser directed engineers Paul-Friedrich Warning and Johann-Friedrich Fischer to develop a new microphone. In 1960, the MD 421 was introduced with a directional pickup pattern, advertised by the manufacturer as a studio microphone.
Most microphones used in sound reinforcement are either dynamic or condenser microphones. One type of directional microphone, called cardioid mics, are widely used in live sound, because they reduce pickup from the side and rear, helping to avoid unwanted feedback from the stage monitor system.
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