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This is a list of notable writers whose readership is predominantly teenagers or young adults, or adult fiction writers who have published significant works intended for teens/young adults. Examples of the author's more notable works are given here.
Nora Okja Keller (born 22 December 1966, in Seoul, South Korea) is a Korean American author. Her 1997 breakthrough work of fiction, Comfort Woman, and her second book (2002), Fox Girl, focus on multigenerational trauma resulting from Korean women's experiences as sex slaves, euphemistically called comfort women, for Japanese and American troops during World War II and the ongoing Korean War.
She writes how Mary's development in the novel parallels "the steps of nineteenth-century garden theorists in their plans for the perfect garden", with Mary ultimately turning into "a girl who, like the ideal garden, can provide both beauty and comfort, and who can cultivate her male cousin, the young patriarch-in-training".
Early books, like the junior novels, had little sex, although that gradually changed over the years. The romance series for teens in the 1980s was modeled on adult romances with "more innocent" storylines. [2] These books were generally told from the point-of-view of a 15–16-year-old girl experiencing her first love. [9]
This provides an overall consensus in the literary world that the definition of young adult literature is unique to the author, reader and publisher. There are common themes and tropes seen across young adult literary work that lead a piece to be classified as young adult literature as a general classification with some aspects that may fall ...
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The purpose of the annual list it to provide librarians and library workers with a resource to use for collection development and readers advisory purposes." [1] In addition there is a "Best of the Best" list of the top 10 titles, made available since 1997. [2] The list has been published since 1930 when it was founded as "Best Books for Young ...
Chick lit is a term used to describe a type of popular fiction targeted at women. Widely used in the 1990s and 2000s, [1] the term has fallen out of fashion with publishers, [2] while writers and critics have rejected its inherent sexism. [3]