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The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus , as well as the phallic processions .
The triumph of Dionysus, depicted on a 2nd-century Roman sarcophagus. Dionysus rides in a chariot drawn by panthers; his procession includes elephants and other exotic animals. The Dionysiaca / ˌ d aɪ. ə. n ɪ ˈ z aɪ. ə. k ə / (Ancient Greek: Διονυσιακά, Dionysiaká) is an ancient Greek epic poem and the principal work of Nonnus.
This is an accepted version of this page This is the latest accepted revision, reviewed on 13 February 2025. This is a list of notable offspring of a deity with a mortal, in mythology and modern fiction. Such entities are sometimes referred to as demigods, although the term "demigod" can also refer to a minor deity, or great mortal hero with god-like valour and skills, who sometimes attains ...
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
Dionysus, as patron of the Athenian dramatic festival, the Dionysia, wants to bring back to life one of the great tragedians. After a poetry slam , Aeschylus is chosen in preference to Euripides . When Hephaestus bound Hera to a magical chair, Dionysus got him drunk and brought him back to Olympus after he passed out.
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
The roof helped against the rays of the sun, but it was powerless against water and general decay. From year to year the condition became worse: single mosaic stones dissolved from the ground, plants grew in the cracks, it was only a matter of time before this mosaic, which had remained largely intact for nearly two millennia, would be destroyed.
Bust of the sun-god Helios, second century AD; the holes were used for the attachment of a sun ray crown, Ancient Agora Museum, Athens, Greece. Helios is the son of Hyperion and Theia , [ 24 ] [ 25 ] [ 26 ] or Euryphaessa, [ 27 ] or Basileia, [ 28 ] and the only brother of the goddesses Eos and Selene.