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Motion is the optical change created by moving objects, people, and shadows; movement is that change created by camera motion or gradual lens change. Presumably, the film industry has capitalized on the results of previous psychological research that shows motion and the onset of motion capture our attention. [19]
Since films had the ability to tell a story using techniques such as superimposition, and slow motion, the Surrealists saw this as mimicking dreams. [3] Early applications of psychoanalysis to cinema concentrated on unmasking latent meanings behind screen images, before moving on to a consideration of film as a representation of fantasy. [4]
Screenwriters are responsible for researching the story, developing the narrative, writing the script, screenplay, dialogues and delivering it, in the required format, to development executives. Screenwriters therefore have great influence over the creative direction and emotional impact of the screenplay and, arguably, of the finished film.
Neurocinema or neurocinematics is the science of how watching movies, or particular scenes from movies affect our brains, and the response the human brain gives to any given movie or scene. [1] The term neurocinema comes from neurologists who are studying which pieces of a film can have the most control over a viewer's brain. [ 2 ]
The theme or topic refers to the issues or concepts that the film revolves around; for example, the science fiction film, sports film, and crime film. The mood is the emotional tone of the film, as implied in the names of the comedy film , horror film , or ' tearjerker '.
The philosophy of film is a branch of aesthetics within the discipline of philosophy that seeks to understand the most basic questions about film. Philosophy of film has significant overlap with film theory , a branch of film studies .
Chicago critic Roger Ebert (right) with director Russ Meyer. Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly ...
Feature films are occasionally created from television series or television segments, or vice versa, a television series will derive from a film, such as in the case of Bates Motel and Chucky. In the former, the film will offer a longer storyline than the usual television program's format and/or expanded production values.