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The first opening theme is "Mukanjyo" by Survive Said the Prophet, while the first ending theme is "Torches" by Aimer.[1] [2] Yosh from Survive Said the Prophet said he the band found the theme comfortable to play thanks to their relationship with Yabuta while Aimer instead wanted to portray the emotions Thorfinn and Thors share in the early episodes in an attempt to "pass the torch". [3]
999 features nine main characters, who are forced to participate in the Nonary Game by an unknown person code-named Zero. [2] For the majority of the game, the characters adopt code names to protect their identities due to the stakes of the Nonary Game—most of their names are ultimately revealed over the course of the game, and for several their true identities are important to the plot. [10]
"Escape" is a song written by Enrique Iglesias, Steve Morales, Kara DioGuardi, and David Siegel for Iglesias's fifth studio album, Escape (2001). The song is the album's opening track and was released as its second single.
Another example is the pronunciation of "hour", as in As You Like It: And so from hour to hour we ripe and ripe. And then from hour to hour we rot and rot. And thereby hangs a tale. In Early Modern English, "hour" was pronounced , homophonous to "whore"; H-dropping was regularly observed. The change in pronunciation of both words in Modern ...
The single was released alongside the coupling B-side music compilation titled "cinema staff [bokutachi no hihō] tour Final @2013.07.11 Shibuya CLUB QUATTRO" (cinema staff【僕たちの秘法】tour Final @2013.07.11 渋谷CLUB QUATTRO, lit. "cinema staff [our secret method] tour Final @2013.07.11 Shibuya CLUB QUATTRO"), which itself is composed of songs recorded live during the band's ...
"Sink the Bismark" (later "Sink the Bismarck") is a march song by American country music singer Johnny Horton and songwriter Tillman Franks, based on the pursuit and eventual sinking of the German battleship Bismarck in May 1941, during World War II. Horton released this song through Columbia Records in 1960, when it reached #3 on the charts ...
Ned Raggett of AllMusic wrote that "due in part to the return of Kramer to production – or in this case co-production – duties, along with a slew of more immediately memorable songs, Happy Hour trumps The Way to Salvation as the peak of the band's high-profile days, an inspired collection of tunes ranging from deranged pop to full-on epic metal stomp."
The ″Paradigm Flux″ EP was released in September 2010. Woob initially announced that the EP was a taster for a soundtrack album of the same name, but it was followed in November 2011 by ″Return to the City″ [4] a full-length album that Frankland said would accompany a film described as a 'Paradigm Flux Prologue'.