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The earliest colonial era descriptions of the Ajanta caves was largely orientalist and critical. According to William Dalrymple, the subjects in the Ajanta caves were puzzling to 19th-century Orientalists. Lacking the Asian cultural heritage and with no knowledge of Jataka Tales or equivalent Indian fables, they could not comprehend it. [275]
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English: The famous painting of the bodhisattva Padmapani in Ajanta caves is now a World Heritage site. This is one of the best paintings from the ancient period when Buddhism was at its peak... Minimal lighting is done inside the caves to protect the paintings from heat and no flash is allowed...
The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
He is best known for his paintings copying the frescoes of the Ajanta Caves. Gill was the first painter [A] – after their rediscovery in 1819 – to make extensive copies of the Buddhist cave paintings, which mostly date to the 5th century CE. His surviving copies and drawings remain significant in Ajanta studies as the originals have ...
Description English: Frescoes above (I believe) the central doorway to Ajanta cave 17. The ceiling is covered in decorative patterns, below is a row of Buddhas, and just above the doorway a couple of every day life scenes.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .