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The Horah is a Jewish circle dance typically danced to the music of Hava Nagila. It is traditionally danced at Jewish weddings and other joyous occasions in the Jewish community. [ 5 ] The popularity of Horah in Israel is attributed by some to the Romanian Jewish dancer Baruch Agadati .
It has become an icon of Jewish and Israeli folk dance. It can be performed to many of the traditional klezmer and Israeli folk songs — archetypally to the music of Hava Nagila. This is the most common dance done at Jewish life cycle joyous events such as weddings and bar and bat mitzvahs.
Klezmer (Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. [1] The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions.
The dance was created in 1937 for a festival to celebrate the discovery of water in the desert after a seven-year search. The choreographer was Else I. Dublon. [1] The dance is sometimes known as "Ushavtem Mayim", after the first words of the lyrics, or simply just "Mayim", but "Mayim Mayim" is the original and most common name.
This upbeat playful children's song has lines about dancing the Horah, playing with dreidels, eating latkes, lighting the candles, and singing happy songs. The song was written by Mordkhe (Mark) Rivesman, and first published in Susman Kiselgof 's 1912 Lider-Zamlbukh [ Song anthology ].
"Hava Nagila" is one of the first modern Jewish folk songs in the Hebrew language. It went on to become a staple of band performers at Jewish weddings and b'nai mitzvah celebrations. The melody is based on a Hassidic Nigun. [1] It was composed in 1918 to celebrate the Balfour Declaration and the British victory over the Ottomans in 1917. It was ...
Entebbe (titled 7 Days in Entebbe in the U.S.), a 2018 crime thriller film directed by José Padilha and written by Gregory Burke, features a dance on the tunes of the Echad Mi Yodea song, choreographed by Ohad Naharin of the Batsheva dance company. [3]
In the words of Peter Gradenwitz, from this period onwards, the issue is "no longer the story of Jewish music, but the story of music by Jewish masters." [ 24 ] Jacques Offenbach (1819–1880), a leading composer of operetta in the 19th century, was the son of a cantor, and grew up steeped in traditional Jewish music.