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"By God Forsaken" – 4:57 [Music: Hanner/Edlund, Lyrics: Hanner] ... [Music: Edlund/Hanner, Lyrics: Björk] ... The positions of track 4 "By God Forsaken" and track ...
Pete Seeger At first on American Industrial Ballads (1956, Folkways SW 40058) and then on American Favorite Ballads, Vol. 5 (1962, Folkways SW 40154; this is an abbreviated version with five verses, the lyrics are from Lomax' original "Buffalo Skinners", the melody and accompaniment are closer to Woody Guthrie)
These words are the opening words of Psalm 22 – in the original Hebrew: אֵלִ֣י אֵ֖לִי לָמָ֣ה עֲזַבְתָּ֑נִי Eli, Eli, lama azavtani, meaning 'My God, my God, why hast Thou forsaken me?'. In the New Testament, the phrase is the only of the seven Sayings of Jesus on the cross that appears in more than one Gospel. [1]
My God, my God, why hast thou forsaken me? why art thou so far from helping me, and from the words of my roaring? O my God, I cry in the day time, but thou hearest not; and in the night season, and am not silent. But thou art holy, O thou that inhabitest the praises of Israel. Our fathers trusted in thee: they trusted, and thou didst deliver them.
"I Surrender All" is a Christian hymn, with words written by American art teacher and musician Judson W. Van DeVenter (1855–1939), who subsequently became a music minister and evangelist. It was put to music by Winfield S. Weeden (1847–1908), and published in 1896. Van DeVenter said of the inspiration for the text:
"God Bless America" is an American patriotic song written by Irving Berlin during World War I in 1918 and revised by him in the run-up to World War II in 1938. The later version was notably recorded by Kate Smith , becoming her signature song .
"Jazz Music" by Gang Starr (this is a different song than the more famous "Jazz Thing") "Jazz Thing" by Gang Starr "Jazzfest" by Paul Soniat "Je T'Aime N'Orleans" by Big Boy Pete (aka as Peter Miller (musician)) "Jesus in New Orleans" by Over the Rhine "Jock-a-mo" by Sugar Boy Crawford "John Lennon In New Orleans" by Colin Linden
It was awarded the 1952 Academy Award for Best Original Song, [1] and was performed that night for the Academy by Ritter. [2] There were only three instruments accompanying Ritter on the soundtrack: guitar, accordion, and the Hammond Novachord, the first electronic synthesizer, which created an unusual gourd-like percussion background. [3]