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Painting of the 13th century BCE showing women in ceremonial attire, one at least wearing a perfume cone. Head cones, also known as perfume cones or wax cones, were a type of conical ornament worn atop the head in ancient Egypt. They are often depicted on paintings and bas-reliefs of the era, but were not found as archaeological evidence until ...
Bucket and cone refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia, and within the context of Ancient Mesopotamian religion. The iconography is particularly frequent in art from the Neo-Assyrian Empire (911–605 BCE ) , and especially Assyrian palace reliefs from this period.
The bristlecone pine's root system is mostly composed of highly branched, shallow roots, while a few large, branching roots provide structural support. The bristlecone pine is extremely drought tolerant due to its branched shallow root system, its waxy needles, and thick needle cuticles that aid in water retention. [8] Gnarled bristlecone pine wood
A mature female big-cone pine (Pinus coulteri) cone, the heaviest pine cone A young female cone on a Norway spruce (Picea abies) Immature male cones of Swiss pine (Pinus cembra) A conifer cone, or in formal botanical usage a strobilus, pl.: strobili, is a seed-bearing organ on gymnosperm plants, especially in conifers and cycads.
The cones are broad, ovoid, 8–15 cm (3–6 in) long, and take 36 months to mature, longer than any other pine. The seeds ( pine nuts , piñones , pinhões , pinoli , or pignons ) are large, 2 cm ( 3 ⁄ 4 in) long, and pale brown with a powdery black coating that rubs off easily, and have a rudimentary 4–8 mm ( 5 ⁄ 32 – 5 ⁄ 16 in ...
Several cones, New Kingdom. Funerary cones were small cones made from clay that were used in ancient Egypt, almost exclusively in the Theban Necropolis. [1] The items were placed over the entrance of the chapel of a tomb. Early examples have been found from the Eleventh Dynasty. However, they are generally undecorated.
An Eagle headed protective spirit holding a bucket and cone. A four-winged genie in the Bucket and cone motif. Relief from the north wall of the Palace of king Sargon II at Dur Sharrukin, 713–716 BC. Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture.
Subfamily Piceoideae : cones are annual, without a distinct umbo, the cone scale base is broad, concealing the seeds fully from abaxial view, seed is without resin vesicles, blackish, the seed wing holds the seed loosely in a cup, leaves have primary stomatal bands adaxial (above the xylem) or equally on both surfaces.