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The Old Royal Naval College are buildings that serve as the architectural centrepiece of Maritime Greenwich, [1] a World Heritage Site in Greenwich, London, described by the United Nations Educational, Scientific and Cultural Organisation as being of "outstanding universal value" and reckoned to be the "finest and most dramatically sited architectural and landscape ensemble in the British ...
The museum has the most important holdings in the world on the history of Britain at sea, comprising more than two million items, including maritime art (both British and 17th-century Dutch), cartography, manuscripts including official public records, ship models and plans, scientific and navigational instruments, and instruments for time ...
The Gallery of the Old Royal Naval College, Greenwich, possesses his 'Napoleon on board the Bellerophon,' painted in 1816, and in the Sheepshanks Collection at the South Kensington Museum are 'Village Gossips,' painted in 1815, and 'Hastings, Fishing Boat's making the Shore in a Breeze,' painted in 1819.
West is also well known for his huge work in the Chapel of St Peter and St Paul which now forms part of the Old Royal Naval College in Greenwich, London. His work, The Preservation of St Paul after a Shipwreck at Malta, measures 25 by 14 ft (7.6 by 4.3 m) and illustrates the Acts of the Apostles: 27 & 28.
The Old Royal Naval College includes "The Painted Hall", painted in the 18th century by Sir James Thornhill, with over 40,000 square feet of painted surfaces including 200 painting of kings, queens and mythological creatures.
English: Wall painting by James Thornhill celebrating George I on the Upper Hall west wall of the Painted Hall in the Old Royal Naval College, (Royal Naval College), in Greenwich, London, England, during the 2017/18 conservation project. Camera: Canon PowerShot SX60 HS.
Greenwich, Royal Naval College – Admiral Lord Nelson's Pediment in the King William Courtyard of the Old Royal Naval College [55] was regarded by the Coade workers as the finest of all their work. It was sculpted by Joseph Panzetta in 1813, as a public memorial after his death at the Battle of Trafalgar in 1805.
The painting remained in the collections of the Dukes of Montrose and was exhibited on a number of occasions; at Glasgow in 1888, the Royal Naval College in 1891 and at the Royal Academy in 1934. [16] It was purchased by Sir James Caird in 1932, and was a particular favourite of his. [17]