Ads
related to: apocalypse now scene analysis
Search results
Results From The WOW.Com Content Network
Apocalypse Now is a 1979 American epic war film produced and directed by Francis Ford Coppola. The screenplay, co-written by Coppola, John Milius , and Michael Herr , is loosely inspired by the 1899 novella Heart of Darkness by Joseph Conrad , with the setting changed from late 19th-century Congo to the Vietnam War .
Colonel Walter E. Kurtz, portrayed by Marlon Brando, is a fictional character and the main antagonist of Francis Ford Coppola's 1979 film Apocalypse Now.Colonel Kurtz is based on the character of a nineteenth-century ivory trader, also called Kurtz, from the 1899 novella Heart of Darkness by Joseph Conrad.
Emilio Estevez on his lost 'Apocalypse Now' scene, playing a 'creeper' in 'St. Elmo's Fire' and what he really thinks of the term 'Brat Pack' Kevin Polowy. May 16, 2023 at 10:00 AM
Apocalypse Now Redux is a 2001 American extended version of Francis Ford Coppola's epic 1979 war film Apocalypse Now. Coppola, along with editor and longtime collaborator Walter Murch, added 49 minutes of material that had been removed from the initial theatrical release. It is a significant re-edit of the original version.
As with Apocalypse Now, Sheen was a late-inning replacement for another actor when he signed onto The Departed. But Scorsese instantly made him feel at home amidst the star-packed ensemble that ...
On August 15, 1979, Francis Ford Coppola’s Apocalypse Now arrived in theaters. The film went on to earn eight nominations at the 52nd Academy Awards, including a nod in the best picture category ...
Armin Shimerman, whose character Principal Snyder was killed off in the season three finale, appears as Kurtz in the Apocalypse Now scene. Media analyst Matthias Kuzina observed that the character of Snyder, a "former minion of evil", is "an almost perfect reincarnation" of Kurtz. [6]
Francis Ford Coppola's 1979 film Apocalypse Now, a film based on Joseph Conrad's 1902 novella Heart of Darkness, was also influenced by Aguirre, containing seemingly deliberate visual "quotations" of Herzog's film. [42] [43] [44] Coppola himself has noted that "Aguirre, with its incredible imagery, was a very strong influence. I'd be remiss if ...