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The Dada avant-garde movement touted by its proponents (Jean Arp, Kurt Schwitters, Tristan Tzara) as anti-art, dada focused on going against artistic norms and conventions. [ 62 ] The Imaginists were avant-garde post- Russian Revolution of 1917 poetic movement that created poetry based on sequences of arresting and uncommon images. [ 63 ]
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
In Western philosophy, Primitivism proposes that the people of a primitive society possess a morality and an ethics that are superior to the urban value system of civilized people. [1] In European art, the aesthetics of primitivism included techniques, motifs, and styles copied from the arts of Asian, African, and Australasian peoples perceived ...
Embodiment theory speaks to the ways that experiences are enlivened, materialized, and situated in the world through the body.Embodiment is a relatively amorphous and dynamic conceptual framework in anthropological research that emphasizes possibility and process as opposed to definitive typologies. [1]
The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...
The fully grown homunculus was supposedly greatly skilled in "art" and can create giants, dwarves, and other marvels, as "Through art they are born, and therefore art is embodied and inborn in them, and they need learn it from no one." [4] Comparisons have been made with several similar concepts in the writings of earlier alchemists.
The principal motivation of the Nazarenes was a reaction against Neoclassicism and the routine art education of the academy system. They hoped to return to art that embodied spiritual values, and sought inspiration in artists of the Late Middle Ages and early Renaissance , rejecting what they saw as the superficial virtuosity of later art.
Power and Virtue: The Horse in Chinese Art. Art Media Resources, 1997. Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin. Princeton University Press, 1998. The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection. Art Museum at Princeton University, 1999. The Landscape of Words. University of ...