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Examples include poems by Simmias of Rhodes in the shape of an egg, [2] wings [3] and a hatchet, [4] as well as Theocritus' pan-pipes. [5] The post-Classical revival of shaped poetry seems to begin with the Gerechtigkeitsspirale (spiral of justice), a relief carving of a poem at the pilgrimage church of St. Valentin, Kiedrich.
The text and shape relate to each other, the latter usually giving added meaning to the poem itself. The tradition of shaped poetry goes back to Greek poets writing in Alexandria before the Common Era but most examples date from later and were written by European Christian poets during the Baroque period.
A diamante poem is a poem that makes the shape of a diamond. The poem can be used in two ways, either comparing and contrasting two different subjects, or naming synonyms at the beginning of the poem and then antonyms for the second half for a subject. In the poems, the subject is named in one word in the first line.
The poem in a Baroque architectural frame from the 1670 edition of George Herbert's The Temple "The Altar" is a shaped poem by the Welsh-born poet and Anglican priest George Herbert, first published in his posthumous collection The Temple (1633).
A copy of the manuscript written for presentation to the Cambridge University press in 1633. Herbert's poetry may be referred to the 16th century tradition of the emblem, which combines a motto with a simple symbolic picture and poetic explanation, [4] as well as, in the case of “Easter Wings”, the example of Greek shaped poetry.
The Mouse's Tale" is a shaped poem by Lewis Carroll which appears in his 1865 novel Alice's Adventures in Wonderland. Though no formal title for the poem is given in the text, the chapter title refers to "A Long Tale" and the Mouse introduces it by saying, "Mine is a long and sad tale!" As well as the contribution of typography to illustrate ...
It can be a poem, a phrase, a portion of scripture, or a single word; the visual arrangement can rely on certain use of the typeface, calligraphy or handwriting, for instance along non-parallel and curved text lines, or in shaped paragraphs. The image created by the words illustrates the text by expressing visually what it says, or something ...
It has been proposed that this poem demonstrates the fundamental Anglo-Saxon belief that life is shaped by fate. [16] In The Search for Anglo-Saxon Paganism (1975), Eric Stanley pointed out that Henry Sweet 's Sketch of the History of Anglo-Saxon Poetry in W. C. Hazlitt 's edition of Warton's History of English Poetry (1871), expresses a ...