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The book's back cover touts that it contains the "never-before-told history of this innovative and influential musical genre". [1] The book includes the musical biographies and discographies of 300 musicians in the Tejano, norteño, grupero, mariachi, banda, and technobanda fields, as well as some artists from other genres outside regional Mexican such as cumbia, vallenato, romantic trio and ...
Despite efforts by accordion performers and organizations to present the accordion as a serious instrument to the classical music world, the much-coveted breakthrough into the mainstream of serious musical circles did not take place until after leading accordionists more or less abandoned the stradella-bass accordion (an instrument limited to ...
José Roberto Pulido (born March 1, 1950), known as Roberto "El Primo" Pulido, is an American musician whose career spans five decades.Pulido has been recognized as a Tejano music pioneer for his introduction of the accordion and saxophone into his music which "helped bridged the traditional conjunto and the modern Tejano camps" in the mid-1970s. [1]
In 2005, Sauceda won a Grammy Award for best Tejano CD, for his part in Polkas, Gritos y Acordeones. Shortly thereafter he signed with Tejas Records, and released a self-titled debut album in November 2005. He later started his own label, Solstice Records, in 2009. [citation needed]
Moreover, the accordion is the principal instrument in Junina music (music of the São João Festival), with Mario Zan having been a very important exponent of this music. It is an important instrument in Sertanejo (and Caipira) music, which originated in the midwest and southeast of Brazil, and subsequently has gained popularity throughout the ...
Since tejano was bred out of norteño music originally, this association is not entirely false. However, due to various cultural and socioeconomic developments in the 1900s, norteño musicians began trailblazing the tejano genre as a tangent to conjunto. [2] In the United States and Mexico, a conjunto band is composed of four main instruments ...
De la Rosa introduced several important innovations into conjunto music, including the practice of slowing polka tempos down to 110–115 beats per minute, as well as the use of amplified bajo sexto and bass. [3] [4] He was hired by Ideal Records in the early 1950s to be their staff accordionist. [5] He left Ideal in 1955 in order to lead his ...
Leonardo "Flaco" Jiménez (born March 11, 1939) [1] is an American singer, songwriter and accordionist from San Antonio, Texas.He is known for playing Norteño, Tex Mex and Tejano music.