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During the mambo era of the 1940s, bongo players began regularly using a large hand-held cowbell during the montuno section in son groups. This bongo bell role was introduced in the son conjunto of Arsenio Rodríguez. Pattern 5 is the basic bongo bell pattern. Cuban bongo bell pattern, with 2-3 son clave above. [56] Play ⓘ.
In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called tumbao [citation needed]. In the contemporary form of Cuban popular dance music known as timba, piano guajeos are known as tumbaos. [1]
The standard Colombian cumbia rhythm is simple and played slowly; it goes 1-2-2-1, also heard as 1-2-1-2. In the Dominican Republic, the fast merengue rhythm, which goes 1 2-1-2, can be played on the conga. It can also be heard as 1-2-1-2 1-2-1-2-1-2. Essentially, it is the rhythm of the tambora applied to conga.
Bongo Flava – East African Hip-Hop. Boogie – 1. a repetitive form of rhythm found in boogie-woogie. 2. a style of funk characterized by a mid-tempo post-disco rhythm, prominent use of slap bass, loud clapping sound, and its new wave melodic chords and synthesizers. Boogie rock – a style of blues rock that fuses rock music with boogie-woogie.
Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as bongosero and often plays a continuous eight-stroke pattern called martillo (lit.
It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. [1] The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City.