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Opening of the Revolutionary Étude. Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
Chopin rewrote the piano part as Andantino, B. 117; there exist 5 manuscripts of this arrangement, dated between April 1838 and 1 September 1848; Franz Liszt also transcribed the song for piano solo as No. 2 of his Six Chants polonais, S.480 (composed 1847-1860) 3. Smutna rzeka: Troubled Waters The Mournful Stream, Sad River Witwicki 1831
Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
Listed by Louise Chopin; Variations on an Irish National Air (from Thomas Moore) for 2 pianos, composed 1826. Stated to be "in D Major or B minor." Waltz for piano in C major, composed 1826. Andante dolente for piano in B ♭ minor, composed 1827. Mentioned in the list of Louise Chopin; Ecossaise for piano in B ♭ major, composed 1827 ...
The technique required to play Chopin's Études, Op. 10 (1833) and Op. 25 (1837) was extremely novel at the time of their publication; the first performer who succeeded at mastering the pieces was the renowned virtuoso composer Franz Liszt (to whom Chopin dedicated the Op. 10). Liszt himself composed a number of études that were more extensive ...
Franz Schubert composed the Fantasie in C major nicknamed the Wanderer Fantasy for solo piano and the Fantasia in F minor for piano four hands. Three works by Chopin belong in the genre: The Fantaisie in F minor, Op. 49, the Polonaise-Fantaisie in A ♭ major, Op. 61, and the Fantaisie-Impromptu in C ♯ minor, Op. posth. 66.
Variation VI: Largo (Chopin) - (coda) (Liszt) Finale: Molto vivace quasi prestissimo (Liszt) Pianists Ingolf Wunder, Raymond Lewenthal, Leslie Howard, Francesco Nicolosi and Marc-André Hamelin, among others, have recorded the piece. [3] Liszt made several versions of the piece: for piano and orchestra (S.365b) and for two pianos (S.654).
Funérailles is subtitled "October 1849". This has often been interpreted as a sort of funeral speech for Liszt's friend Frédéric Chopin, who died on 17 October 1849, and also due to fact that the piece's left-hand octaves are closely related to the central section of Chopin's "Heroic" Polonaise in A-flat major, Op. 53, written seven years earlier.