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Dances in Iran or Iranian dances (Persian: رقص ایرانی) are dance styles indigenous to Iran. Genres of dance in Iran vary depending on the area, culture, and language of the local people, and can range from sophisticated reconstructions of refined court dances to energetic folk dances . [ 1 ]
Classical Persian dance is a style of concert dance which evolved from courtroom dance. The Qajar dynasty , which reigned from 1795 to 1925, had an important influence on Persian dance . In this period, a style of dance began to be called "classical Persian dance".
Iran is a multi-ethnic nation. Although the cultures of its ethnic groups are very similar and in most areas nearly identical, each has its own distinct and specific dance style. Iran possesses four categories of dance with these being: group dances, solo improvisational dances, war or combat dances, and spiritual dances.
There are many dance styles common in Luri-inhabited areas. The most prevalent Luri dance styles are handkerchief dance, Chupi dances (SanguinSama; slow rhythm along with strike and fiddle, Se-Pa (three steps) dance that is performed faster than SanguinSama, and Du-Pa (Two steps) dance that is the fastest and the most exciting performance), and the stick dance (Çubâzi or Tarka-bâzi)(like ...
17th century Persian women dance in a ceremony in Iran. Religious prohibition of dancing in Iran came with the spread of Islam, but it was spurred by historical events. [19] Religious prohibition to dancing waxed and waned over the years, but after the Iranian Revolution in 1979 dancing was no longer allowed due to its frequent mixing of the sexes.
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The Iranian National Ballet Company (Persian: سازمان باله ملی ایران) was Iran's only state ballet institution until the Islamic revolution of 1979 and also the most known and recognized of all dance companies in the Middle East. It was founded in 1958 by the Iranian Ministry of Culture and existed for 21 years (1958–1979).
Inspired by the legendary Ballets Russes and Ballets Suedois, Les Ballets Persans was formed in exile to create inventive choreographies on three foundations; 1) reflecting the Iranian history, culture and heritage through the means of dance on historical, mythological, folkloric and social themes, 2) to create choreographies that are based ...