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Perfect rhyme (also called full rhyme, exact rhyme, [1] or true rhyme) is a form of rhyme between two words or phrases, satisfying the following conditions: [2] [3] The stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, the words kit and bit form a perfect rhyme, as do spaghetti and already in ...
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [ 9 ] However, in the matla , the first she'r of a ghazal, the radif will end both lines of the she'r.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
Rhymes may be classified according to their position in the verse: Tail rhyme (also called end rhyme or rime couée) is a rhyme in the final syllable(s) of a verse (the most common kind). Internal rhyme occurs when a word or phrase in the interior of a line rhymes with a word or phrase at the end of a line, or within a different line.
In Persian, Turkic, and Urdu ghazals, the qāfiya (from Arabic قافية qāfiya, lit. ' rhyme '; Persian: قافیہ; Azerbaijani: qafiyə; Urdu: قافیہ; Uzbek: qofiya) is the rhyming pattern of words that must directly precede the radif. [1] [2] The qāfiya is the actual rhyme of the ghazal. [3]
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
In Persian, Turkic, and Urdu ghazals, the radīf (from Arabic رديف; Persian: ردیف; Azerbaijani: rədif; Turkish: redif; Urdu: ردیف; Uzbek: radif) is the word which must end each line of the first couplet and the second line of all the following couplets. [a] It is preceded by a qafiya, which is the actual rhyme of the ghazal. [1] [2 ...
The defining feature of the matla ' is that both verses of the couplet rhyme, or expressed in technical terminology, both verses end with the qafiya and radif of the ghazal. In fact, the purpose of the matla ' is to define the qafiya and radif for the rest of the ghazal.