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St John Altarpiece, c. 1479, oil on oak panel, 173.6 × 173.7 cm (central panel), 176 × 78.9 cm (each wing), Memlingmuseum, Sint-Janshospitaal, Bruges. The St John Altarpiece (sometimes the Triptych of the two Saints John or the Triptych of St John the Baptist and St John the Evangelist) is a large oil-on-oak hinged-triptych altarpiece completed around 1479 by the Early Netherlandish master ...
Standing facing the East is the most frequent prayer position. The person praying usually holds his or her hands outwards in the 'orans' position, which is a common Christian position of prayer, frequently portrayed in ancient Christian art, including in Coptic iconography. At other times, hands may be kept down to the sides or held together as ...
Gemäldegalerie, Dresden. Girl Reading a Letter at an Open Window (Dutch: Brieflezend meisje bij het venster), also known as Lady reading at an open window,[1] is an oil painting by Dutch Golden Age painter Johannes Vermeer. Completed in approximately 1657–1659, the painting is on display at the Gemäldegalerie in Dresden, which has held it ...
76.2 cm × 111.8 cm (30.0 in × 44.0 in) Location. Tate Britain, London. Ophelia is an 1851–52 painting by British artist Sir John Everett Millais in the collection of Tate Britain, London. It depicts Ophelia, a character from William Shakespeare 's play Hamlet, singing before she drowns in a river. The work encountered a mixed response when ...
Salvator Mundi (Latin for 'Savior of the World') is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1499–1510. [n 1] Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the ...
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution – what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a Medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the ...
The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1][2][3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the Royal Academy of Arts in London in 1852, with a long quote ...