Search results
Results From The WOW.Com Content Network
The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. [6] Recommended at an early age by his cousin Luca Signorelli, he became a pupil of Guglielmo da Marsiglia, a skillful painter of stained glass.
Pope Paul III (Farnese) Names Cardinals and Distributes Benefices. In the Sala dei Cento Giorni, Vasari and his assistants work in an elaborate and fanciful manner.The narrative unfolds within an unusual illusionist space flooded with allegoric ornamentation and further by numerous figures in painted architecture surrounded by simulated sculpture.
The painting was commissioned by Vasari's patron Ottaviano de' Medici, and is a posthumous portrait of Lorenzo de' Medici, the ruler of the Republic of Florence, who had died in 1492. The portrait is similar in style to the one of Cosimo the Elder by Pontormo .
The Forge of Vulcan (c. 1564) by Giorgio Vasari. The Forge of Vulcan or Vulcan's Forge is an oil-on-copper painting by the Italian artist Giorgio Vasari, executed c. 1564, now in the Uffizi in Florence. [1] A copy painted c. 1565–1567 by Pier Candido is now in Windsor Castle as part of the Royal Collection.
A Warrior Subduing Another, drawing Coronation of the Virgin, niello, 1452, Bargello. Maso Tommasoii Finiguerra (1426–1464) was an Italian goldsmith, niellist, draftsman, and engraver working in Florence, who was incorrectly described by Giorgio Vasari as the inventor of engraving as a printmaking technique.
The clergy sexual abuse scandal is slowly gathering steam in Italy with increasing media coverage, criminal convictions and the launch Monday of an investigative podcast dedicated to a case that ...
The work was painted for the church of the convent of San Giusto alle mura together with the Pietà and a Crucifixion.Renaissance art biographer Giorgio Vasari saw them in side altars of the church of San Giovanni Battista alla Calza, after the original location had been destroyed during the Siege of Florence in 1529.