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Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
Kuniyoshi, a famous printmaker, specialized in warrior images and produced a series of prints known as the 108 Heroes of the Suikoden. [1] [2] During the late Edo period, censorship laws passed by the Tokugawa Shogunate made the creation of musha-e more difficult. Artists and publishers therefore often changed the names of characters or events ...
Hangaku Gozen, woodblock print by Tsukioka Yoshitoshi, c. 1885 . Lady Hangaku (坂額御前, Hangaku Gozen) [1] was a onna-musha warrior, [2] [3] one of the relatively few Japanese warrior women commonly known in history or classical literature.
Almost from the first day of his activity, and even at the time of his death in 1865, Kunisada was a trendsetter in the art of the Japanese woodblock print. Always at the vanguard of his time, and in tune with the tastes of the public, he continuously developed his style, which was sometimes radically changed, and did not adhere to stylistic ...
Masanobu was famous for capturing the beauty of nature. He painted and drew birds, women, men, actors, and warriors. The Japanese women he draws have the same style and ‘boneless’ structure. The faces show; however, the bodies are covered by long, flowing dresses. This style is referred to as tan-e: drawing women as full-bodied and round ...
However, he was the oldest pupil of Utagawa Kuniyoshi [2] who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners . [3] He may not have seen any of the foreign scenes he depicted. [4] Yoshitora was prolific: he produced over 60 print series and illustrated over 100 books.