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It is the simplest of the orders, characterized by short, organized, heavy columns with plain, round capitals (tops) and no base. With a height that is only four to eight times its diameter, the columns are the most squat of all orders. The shaft of the Doric order is channeled with 20 flutes.
The Ionic anta capital, in contrast to the regular column capitals, is highly decorated and generally includes bands of alternating lotuses and flame palmettes, and bands of eggs and darts and beads and reels patterns, in order to maintain continuity with the decorative frieze lining the top of the walls. This difference with the column ...
In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
It usually has a base and the shaft is often fluted (it has grooves carved up its length). The capital features a volute, an ornament shaped like a scroll, at the four corners. The height-to-thickness ratio is around 9:1. Due to the more refined proportions and scroll capitals, the Ionic column is sometimes associated with academic buildings.
Greek Doric columns had no base, and this prevented the flutes, which ended in a sharp arris, being worn down by people brushing past. [3] The flutes continue right down to the base of the column, [21] and at the top usually pass through three very narrow bands cut into the stone before reaching the base of the capital, where the shaft swells ...
The abacus upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman Colosseum, holding up the least weight, and also having the slenderest ratio of thickness to height. Their height to width ratio ...
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Uncut stone that is laid in place in a building, projecting outward from the building, to later be carved into decorative mouldings, capitals, arms, etc. Bossages are also rustic work, consisting of stones which seem to advance beyond the surface of the building, by reason of indentures, or channels left in the joinings; used chiefly in the ...