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The track peaked at number 79 on the US Billboard Hot 100 and number 25 on the Hot R&B/Hip-Hop Songs, also reaching the top 20 of the UK Dance and UK R&B charts. A remix version of the track featuring female rappers Shaunta and Da Brat was accompanied by a remix EP entitled U Don't Know Me...
An official remix of "The Set Up (You Don't Know)" was released as a B-side to the official CD single. The track features, as well as Nate Dogg, appearances from Lloyd Banks, Jadakiss and Redman. The remix was labeled the "Dr. Dre Remix" and was entirely produced by Dre.
It is a remake of "I Don't Wanna Know" (2004) by Mario Winans featuring Enya and P. Diddy, which is based on a sample of the Fugees' song "Ready or Not" (1996), and itself samples Enya's "Boadicea" (1987). Winans himself returned to contribute to the song as a backing vocalist along with Travis Scott. Diddy himself would also join the artists ...
The "Jersey Club" music style has seen a mainstream resurgence with the help ... posted a Jersey Club remix of Brent Faiyaz’s “Wish You Well.” The song has over 2 million views on YouTube.
"U Don't Know Me" is a song written and produced by English electronic music duo Basement Jaxx. The Bellrays' lead singer Lisa Kekaula, who has previously appeared on Basement Jaxx's 2004 single "Good Luck", also co-wrote and contributed the song's main vocal.
"You Don't Know" is a song by American singer-songwriter Cyndi Lauper, released by Epic as the first single from Lauper's fifth album, Sisters of Avalon (1997). Remixes of the song were made by several producers such as Tony Moran and Junior Vasquez .
"I Don't" is a song by American singer Mariah Carey featuring American rapper YG. The song was written by Carey, YG, Johntá Austin, Crystal Nicole Pompey, Donell Jones, and Kyle West and produced by Jermaine Dupri and Bryan-Michael Cox. Carey previewed the track during the final episode of her E! docuseries, Mariah's World, on January 29, 2017.
Early pop remixes were fairly simple; in the 1980s, "extended mixes" of songs were released to clubs and commercial outlets on vinyl 12-inch singles.These typically had a duration of six to seven minutes, and often consisted of the original song with 8 or 16 bars of instruments inserted, often after the second chorus; some were as simplistic as two copies of the song stitched end to end.