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The P3b is a positive-going amplitude (usually relative to a reference behind the ear or the average of two such references) peaking at around 300 ms, though the peak will vary in latency (delay between stimulus and response) from 250 to 500 ms or later depending upon the task [2] and on the individual subject response. [1]
The peak-to-average power ratio (PAPR) is the peak amplitude squared (giving the peak power) divided by the RMS value squared (giving the average power). [1] It is the square of the crest factor. When expressed in decibels , crest factor and PAPR are equivalent, due to the way decibels are calculated for power ratios vs amplitude ratios .
A Band-pass filter showing the centre frequency(Fc), the lower(F1) and upper(F2) cut off frequencies and the bandwidth. The upper and lower cut-off frequencies are defined as the point where the amplitude falls to 3 dB below the peak amplitude. The bandwidth is the distance between the upper and lower cut-off frequencies, and is the range of ...
The formant with the lowest frequency is called F 1, the second F 2, the third F 3, and so forth. The fundamental frequency or pitch of the voice is sometimes referred to as F 0, but it is not a formant. Most often the two first formants, F 1 and F 2, are sufficient to identify the vowel. The relationship between the perceived vowel quality and ...
It can be proven (with the help of a sum-to-product trigonometric identity) that the sum of two unit-amplitude sine waves can be expressed as a carrier wave of frequency f 1 + f 2 / 2 whose amplitude is modulated by an envelope wave of frequency f 1 - f 2 / 2 : [3]
This quasi-peak measurement is also called psophometric weighting. This was once more important because outside broadcasts were carried over 'music circuits' that used telephone lines, with clicks from Strowger and other electromechanical telephone exchanges. It now finds fresh relevance in the measurement of noise on computer 'Audio Cards ...
Typically, the replay gain and peak level values are then stored as metadata in the audio file. ReplayGain-capable audio players use the replay gain metadata to automatically attenuate or amplify the signal on a per-track or per-album basis such that tracks or albums play at a similar loudness level.
Depending on context, wave height may be defined in different ways: For a sine wave, the wave height H is twice the amplitude (i.e., the peak-to-peak amplitude): [1] =.; For a periodic wave, it is simply the difference between the maximum and minimum of the surface elevation z = η(x – c p t): [1] = {()} {()}, with c p the phase speed (or propagation speed) of the wave.